Quasimodo
of the
Multiplex
It’s faster than a mind can think,
Flickering on the screen
Each second as the shuttle pulls
Down a frame in between
The lamp and lens twenty four times
And darkness makes the scene,
Light and darkness fused into one
Image of persistence.
Cinema is already like
Conscious experience,
Where the illusion of movement
Arises like our sense
Perceptions into qualia.
As the eccentric cam
Rotating moves the shuttle arms
“I think, therefore I am.”
He speculates, threading the film
To fit the next program.
This steward of the multiplex
Roams the dim projection
Booth unseen above the theater,
Like a custodian
Tending to the inner workings
Of a mass illusion.
Operator of the machine
Affecting spectators
Chained to the walls of Plato’s Cave,
Asleep behind the doors
Of spurious eternity,
Pawns in the psychic war;
A shadow play of unconscious
Forces suggesting shapes
And forms, colors and symbolized
Characters of escape
From a deeper reality
Hidden in the mindscape
Of humanity. The mundane
Duty of citizens
Is not so much to do as go
To work for businessmen,
Squeezing dollars out of ennui.
He was thinking again,
Boredom getting the best of him.
Always sitting around
Made leisure itself a busman’s
Holiday. Now the sound
Of spinning platters and shutters
And flickers on the ground
Were synched up, so fast and steady
Each individual
Flap blurred into a constant hum,
And reflected the rule
Of time. Lording in this threshold
Over the unfurled spool
Of my conscious experience.
I’m the roaming shadow,
The projection of phantasm.
I’m the Quasimodo
Of this multiplex. And he growls,
Hobbling to the next show,
Seeing in ignorance the light
Of faith. Mass refusal
To take responsibility
And filter through the skull
Like Zoroastrian fire
True goodness from evil;
He watched as I saw the conflict
Between light and darkness
Resolve, rather than in my mind,
As the actor confessed
On the screen. While true darkness hides
In a subtler recess,
Sunk in the absolute divide
Between outside and in
That doesn’t actually exist.
The line is razor thin,
Where subjective experience
Ends and the world begins.
Cooped up in the projection booth,
The walls are celluloid
Frames that enforce this division
Being time in a void,
Alienation that makes us
All need to be employed.
He can’t even dream his own dream.
His is as all the rest
A cogito shaped by the mold
Into which it was pressed,
And shaped by the fear of losing
What he thinks he knows best.
The illusion of persistence
Or the fear of passing
Into nothingness, which Beauty
Never can, is the thing
Which shields our minds from unbounded
Time—so terrifying!
Vertigo of eternity!
Nauseates us so much
We cling to the hand of Chronos
Like a deified crutch,
And recoil in disgust at all
That’s airy to the touch.
Worshipping Death more than one cares
To realize, because one
Worships out of fear, and forgets
To perceive of motion,
There’s no such thing as persistence
Without dissolution.